Performers
Jörg Ratjen, Lesung
Anton Gerzenberg, Klavier
Programme
Jörg Ratjen liest aus Martin Walsers »Ehen in Philippsburg«
Strichfassung: Lea Goebel
Pierre Boulez
Incises (1993–2001)
Sergej Prokofjew
Lentamente op. 22/1 (Mimoletnosti »Visions fugitives«) (1915–1917)
Andante op. 22/2 (Mimoletnosti »Visions fugitives«) (1915–1917)
Allegretto op. 22/3 (Mimoletnosti »Visions fugitives«) (1915–1917)
Leoš Janáček
Molto adagio (V mlhách »Im Nebel« Nr. 2) (1912)
Sergej Prokofjew
Commodo op. 22/8 (Mimoletnosti »Visions fugitives«) (1915–1917)
Allegretto tranquillo op. 22/9 (Mimoletnosti »Visions fugitives«) (1915–1917)
Pittoresco op. 22/7 (Mimoletnosti »Visions fugitives«) (1915–1917)
Ridicolosamente op. 22/10 (Mimoletnosti »Visions fugitives«) (1915–1917)
Con vivacita op. 22/11 (Mimoletnosti »Visions fugitives«) (1915–1917)
Assai moderato op. 22/12 (Mimoletnosti »Visions fugitives«) (1915–1917)
Allegretto op. 22/13 (Mimoletnosti »Visions fugitives«) (1915–1917)
Feroce op. 22/14 (Mimoletnosti »Visions fugitives«) (1915–1917)
Animato op. 22/4 (Mimoletnosti »Visions fugitives«) (1915–1917)
Molto giocoso op. 22/5 (Mimoletnosti »Visions fugitives«) (1915–1917)
Dolente op. 22/16 (Mimoletnosti »Visions fugitives«) (1915–1917)
Poetico op. 22/17 (Mimoletnosti »Visions fugitives«) (1915–1917)
Con una dolce lentezza op. 22/18 (Mimoletnosti »Visions fugitives«) (1915–1917)
Leoš Janáček
Andante (V mlhách »Im Nebel« Nr. 3) (1912)
Presto (V mlhách »Im Nebel« Nr. 4) (1912)
Note
Mittagsmenü im Konzerthaus-Restaurant EssDur vor und nach dem Konzert. Reservierung: +43 1 5125550, restaurant@essdur.wien
Unterstützt von wienerberger
Subscription series
Musik und Dichtung zu Mittag
Links
https://antongerzenberg.com
Martin Walser takes a satirical look at society in the 1950s in his
debut novel »Marriages in Philippsburg«. Hans Beumann, the novel's main
character, forms an intersection of various big- and small-town milieus.
Jörg Ratjen, who returned to the Vienna Burgtheater for the 2024/25
season, reads from Martin Walser's novel, while Anton Gerzenberg focuses
on modern music by Janáček, Prokofiev and a later work by Pierre
Boulez.