Performers
Ernst Molden, Gitarre, Gesang
Hannes Wirth, Gitarre, Gesang
Walther Soyka, Wiener Knopfharmonika, Gesang
Andrej Prozorov, Sopransaxophon
Die Strottern & Blech
Klemens Lendl, Gesang, Violine
David Müller, Gesang, Gitarre, Harmonium
Martin Eberle, Trompete, Flügelhorn
Martin Ptak, Posaune, Harmonium
Programme
»Schdean – Schau di an«
Klemens Lendl, Martin Ptak, David Müller
Schaun, zaahn, drahn
David Müller, Hannes Löschel
Lied aus Fragen
Martin Ptak
Subway
Klemens Lendl, David Müller
U1
Mei Regnschiam
De Osauga
Martin Eberle, Klemens Lendl, David Müller
Da miasst ma
Klemens Lendl, David Müller
Untar da Ead
Haundschuach aus Saumt
Wia tanzn is
***
Ernst Molden
Hauptallee
Schleppa
Dausnd Göösn
Schwoazzmarie
Schüüf
Hammerschmidgossn
Rudolfstiftung / St. James Infirmary
Auf da Wöd
Flagduam
Woodrow Wilson Guthrie
Da Czerny / John Henry (Bearbeitung: Ernst Molden)
Ernst Molden
Liad ibas Losziagn
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Zugabe:
Ernst Molden
Awarakadawara
Gemma ens Wossa
Note
Ersatztermin für den 14. November 2023
Medienpartner Ö1 Club
Subscription series
Lieder aus Wien
Links
https://www.ernstmolden.com
http://www.martinptak.com
https://martineberle.at
http://diestrottern.at
»schdean« (»star«) was the name of the fourth and last record of the Viennese song quartet Molden / Resetarits / Soyka / Wirth. One of the four musicians, Willi Resetarits, according to Ernst Molden »Austria's only real superstar«, died completely unexpectedly in 2022: The »schdean«, that is now him. Molden wrote or translated from American and arranged about 100 songs for this band with Resetarits as frontman, which he now lets live on with his friends Walther Soyka (button harmonica, vocals) and Hannes Wirth (electric guitar, vocals). Their ingenious mixture of »black blues« and »white Viennese song« is matched by the »Viennese fado« of the Strottern, inspired by Peter Ahorners lyrics: When Klemens Lendl and David Müller then »blow up« into a quartet with Martin Eberle and Martin Ptak (brass), their music moves even closer to the great antipoles of their music: sound diversity of the big city and (alpine) folk music. Trumpet and trombone play a supporting role in both worlds. And so the bow is stretched wide, freedoms are radically sounded out, native harbors are approached more directly. Tender things become more tender, wild things wilder.