27
Tuesday TUE 27 September 2022

Emmanuel Tjeknavorian © Lukas Beck

Wiener Symphoniker / Tjeknavorian

Monday 26 September 2022
19:30 – ca. 21:15
Großer Saal

 

Performers

Wiener Symphoniker

Ines Galler-Guggenberger, Oboe

Patrick de Ritis, Fagott

Christoph Stradner, Violoncello

Emmanuel Tjeknavorian, Violine, Dirigent

Programme

Johannes Brahms

Tragische Ouverture d-moll op. 81 (1880)

Variationen über ein Thema von Joseph Haydn op. 56a (1873)

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Joseph Haydn

Sinfonia concertante B-Dur Hob. I/105 (1792)

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Zugabe:

Joseph Haydn

Vivace »Der Kaffeeklatsch« Hob. XIX/6 (Stücke für eine Flötenuhr Nr. 18) (1772)

Josef Strauß

Die Libelle. Polka mazurka op. 204 (1866)

Johann Strauß (Sohn)

Wein, Weib und Gesang. Walzer op. 333 (1869)

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Zugabe:

Johann Strauß (Sohn), Josef Strauß

Pizzicato-Polka (1870)

Joseph Hellmesberger jun.

Danse diabolique

Note

Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

Subscription series Cuvée 1

Links https://www.wienersymphoniker.at
https://www.emmanueltjeknavorian.com

Presented by Wiener Konzerthausgesellschaft

Optimism Made Sound

In his »Tragic Overture,« Johannes Brahms set the tragic itself to music. He renounced scenic inspiration during the creative process and confessed that he had »no particular tragedy in mind as a subject.« Instead, between elaborately shadowed turns of phrase and indulgent pathos, he also brings out the optimism of those who recognize the sublime in suffering – and smile through their tears. With his »Variations on a Theme by Joseph Haydn,« Brahms expressed his admiration for Haydn's epoch. He composed a masterpiece in which the proportions of instrumentation, form and thematic treatment are almost ideal. Johannes Brahms, who still shied away from composing symphonies in those years under the seemingly overpowering impression of Beethoven's symphonies, provided himself with security on the terrain of symphonic orchestral music with the »Haydn Variations«. At the same time, he founded a new form – the orchestral variations. Joseph Haydn himself has his say with his »Sinfonia concertante« in the second half of the concert, where he finds himself in the best company with Josef and Johann Strauss. On this evening, our portraited artist in 2022/23 Emmanuel Tjeknavorian can be experienced not only as a conductor, but also as a violinist.​

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