Anna Vinnitskaya © Marco Borggreve
Anna Vinnitskaya, Klavier
Monday
21
November
2022
19:30
Mozart-Saal
Performers
Anna Vinnitskaya, Klavier
Programme
César Franck
Prélude, fugue et variation h-moll M 30 op. 18 (6 Pièces d'Orgue) (Bearbeitung für Klavier: Theo Wegmann) (1862)
Alexander Skrjabin
Valse f-moll op. 1 (1885)
Fantasie h-moll op. 28 (1900)
Deux poèmes op. 32 (1903)
Sonate Nr. 5 op. 53 (1907)
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Frédéric Chopin
Impromptu As-Dur op. 29 (1837)
Impromptu Fis-Dur op. 36 (1839)
Impromptu Ges-Dur op. 51 (1842)
Fantaisie-Impromptu cis-moll op. 66 (1835)
Maurice Ravel
Valses nobles et sentimentales (1911)
La valse. Poème chorégraphique (Fassung für Klavier) (1919–1920)
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Zugabe:
Sergej Rachmaninoff
Etude C-Dur op. 33/2 (Etudes-tableaux) (1911)
Etude es-moll op. 39/5 (Etudes-tableaux) (1916–1917)
Subscription series
Klavier im Mozart-Saal
Links
http://www.annavinnitskaya.com
Presented by
Wiener Konzerthausgesellschaft
Poetic depth
Drawing from other arts, such as painting, to play the piano is something Anna Vinnitskaya learned from her mentor at Hamburg's Hochschule für Musik und Theater, Evgeni Koroliov. Since then, the pianist, who won the Concours Reine Elisabeth in 2007, has fascinated an international audience with her sound paintings. Vinnitskaya enriches the cycle »Piano in the Mozart Hall« with a romantic-impressionistic program. Her Chopin interpretation is considered elegant and sublime, and as a knowledgeable tour guide, Vinnitskaya not only leads us through his Impromptus, but also fans out the pianistic spectrum of colors further: with late romantic fire in Scriabin and with poetic depth in Franck's »Prélude, fugue et variation«, before she rounds out the picture with Ravel's »La valse«.