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16
Thursday THU 16 December 2021

 

Beatrice Rana

Beatrice Rana © Parlophone Records Ltd

Wiener Symphoniker / Rana / Orozco-Estrada ABGESAGT

Friday 26 November 2021
19:30
Großer Saal

 

Performers

Wiener Symphoniker, Orchester

Beatrice Rana, Klavier

Andrés Orozco-Estrada, Dirigent

Programme

Peter Iljitsch Tschaikowsky

Konzert für Klavier und Orchester Nr. 1 b-moll op. 23

***

Dmitri Schostakowitsch

Symphonie Nr. 5 d-moll op. 47

Note

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Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

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Links https://www.wienersymphoniker.at
https://www.beatriceranapiano.com
http://www.orozco-estrada.com

Presented by Wiener Konzerthausgesellschaft

Seductive power & transcendent lightness

Tchaikovsky's First Piano Concerto fascinates Beatrice Rana. But the young pianist, to whom The Times attests »a kind of Orphic seductiveness, a transcendent lightness of touch,« admits that it is at the same time a great challenge to give every aspect of this music the dignity it deserves: »It is always difficult to present a concerto like Tchaikovsky's, because everyone has it in their ears and there are so many traditions of interpreting it. At the same time, I find it rewarding to play this concerto because it is famous for its melodies, they are just wonderful, the most beautiful Russian melodies, Tchaikovsky was a great melodist. Off the top of that, it's also a revolutionary concerto, because for the first time we have a solo piano playing against the orchestra sometimes. Then there's the great drama in the first movement, the second is reminiscent of ballet music, and the third movement goes to everyone's heart because the music comes from Ukrainian folk music.«

Contrast this with Andrés Orozco-Estrada's performance with the Vienna Symphony of Dimitri Shostakovich's Fifth Symphony, written in 1937 under Stalin's totalitarianism. These conditions explain Shostakovich's statement that his Fifth was »a Soviet artist's creative response to just criticism.«

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