Monday MON 1 January 0001
1
Sunday SUN 1 October 2023
30
Monday MON 30 October 2023
31
Tuesday TUE 31 October 2023

Maria Gstättner © Pamela Russmann

Wien Modern 36. Maria Gstättner: Fanfare

Tuesday 31 October 2023
18:00
Stadtpark

 

Performers

Maria Gstättner, Idee, Konzept, Künstlerische Leitung

Victoria Coeln, Lichtbasierte künstlerische Intervention
Wiener Lichtblicke

Brigitte Wilfing, Dramaturgie, Choreographie

Harald Matjaschitz, Posaune

Martin Siewert, E-Gitarre, Synthesizer

Шaпκa (Schapka), Performance, Komposition, Stimmen

Laura Gstättner, Stimme

Marie Luise Lehner, Stimme

Dora de Goederen, E-Bass

Lilian Mira Kaufmann, Drums

Philip Stoeckenius, Performance, Elektronik, Stimme

Niklas Apfel, Performance, Elektronik, Stimme

Gardemusik Wien
Einstudierung, Leitung: Bernhard Heher, Johann Kausz

Militärmusik Burgenland, Orchester
Einstudierung, Leitung: Hans Miertl

Mürztaler Trachtenkapelle Mitterdorf – St. Barbara (MTK), Blasmusikkapelle
Einstudierung, Leitung: Manfred Skale

Studierende des Leonard Bernstein Instituts für Blas- und Schlaginstrumente sowie des CAP Masterstud, Performance

David Christopher Panzl, Komposition, Einstudierung Drumline

Werner Angerer, Klangregie

Programme

Maria Gstättner

Fanfare allez ensemble für zwei Blasorchester, Punkband, Pop-Duo, Bläserensemble, Drumline, E-Gitarre, Sythesizer, Solo-Bassposaune und lichtbasierte künstlerische Intervention (2023) (UA)
Kompositionsauftrag im Rahmen des Staatsstipendiums des BMKÖS

David Christopher Panzl

A Bridge to Tradition (2023)

Auszüge aus:

Шaпκa (Schapka)

No No No (2017)

How is it to make music as a woman (2017)

USQQ (2017)

Uni brennt (2022–2023)

Note

Produktion Wien Modern und mdw – Universität für Musik und darstellende Kunst Wien
Koproduktion Wiener Lichtblicke

Festival Wien Modern 36

Presented by Wiener Konzerthausgesellschaft

Maria Gstättner: Fanfare

»Fanfare allez ensemble« leads from the outer edges of Vienna's Stadtpark into a collectively ritual experience carried by a polychromy of music and light-based art. In the communal walking of actors and audience, transformation and catharsis occur, in which unexpected new perspectives open up. [...] In the midst of the landscapes of the public space, a choreography of music and light creates an aesthetic experience in which the constant tightrope walk between autonomy and connectedness leads to equality, dignity and respect. (Maria Gstättner)
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