Performers
COLLOREDO, Ensemble
Company of Music
Einstudierung: Johannes Hiemetsberger
David Ballwein, Posaune
Anna Eibensteiner, Posaune
Hannes Resch, Posaune
Gustav Staudinger, Posaune
Michael Staudinger, Posaune
Florian Weissenbeck, Posaune
Guido Weissenbeck, Posaune
Michael Wendeberg, Klavier, Orgel, Cembalo
Markus Güdel, Lichtgestaltung
Patricia Kopatchinskaja, Violine, Idee, Künstlerische Leitung
Programme
»Dies irae«
Inszeniertes Konzert mit Werken von Heinrich Ignaz Franz Biber, George Crumb, Antonio Lotti, John Dowland und Galina Ustwolskaja
Heinrich Ignaz Franz Biber
Battalia à 10 (1673)
George Crumb
Black Angels for Electric Quartet (Images I). Thirteen Images from the Dark Land (1970)
Antonio Lotti
Crucifixus
John Dowland
Lachrimae Antiquae Novae (1604))
Galina Ustwolskaja
Komposition Nr. 2 »Dies irae« (1972–1973)
Anonymus
Dies irae. Gregorianischer Hymnus
Note
Unterstützt von Kapsch
Medienpartner Ö1 Club und Der Standard
Subscription series
You(th)
Grenzenlos Musik
Das STANDARD-Konzerthaus-Abo
Links
https://patriciakopatchinskaja.com
https://www.companyofmusic.at
The Dies irae - the beginning of a medieval hymn about the Last Judgement - still characterises the history of music today. On the second evening of her portrait series, Patricia Kopatchinskaja tackles the problems of our time, first and foremost global warming. With the COLLOREDO ensemble and the Company of Music, she crosses centuries and regions in this cleverly staged concert in order to convey her concern musically: In addition to Galina Ustvolskaya's incomparably intense »Dies irae«, the programme includes works by John Dowland, Heinrich Ignaz Franz Biber and the portrait artist herself. »When I think of the environment today, I think of the end of the world«, says the grandiose violinist. The only question is: »How much time do we have left?«