Monday MON 1 January 0001
Monday MON 1 January 0001
Saturday SAT 4 February 2023
Sunday SUN 5 February 2023
Monday MON 20 February 2023

Gautier Capucon © Felix Broede

Gautier Capuçon, Violoncello

Saturday 23 April 2022



Gautier Capuçon, Violoncello



El cant dels ocells »Der Gesang der Vögel«. Katalanisches Weihnachtslied

Johann Sebastian Bach

Suite Nr. 1 G-Dur BWV 1007 für Violoncello solo (1720 ca.)

Henri Dutilleux

Trois strophes sur le nom de Sacher (1976–1982)


Zoltán Kodály

Sonate op. 8 für Violoncello solo (1915)



Gabriel Fauré

Après un rêve op. 7/1 (Bearbeitung für Violoncello) (1877)

Javier Martínez Campos

Ambre Cello (2020) (EA)

Subscription series Kammermusik


Presented by Wiener Konzerthausgesellschaft

Cello Marriage

A marriage-like relationship: cellist Gautier Capuçon and his more than 300-year-old instrument. »The cello made by Matteo Goffriller in 1701 is one of the most beautiful instruments there is. The sound is incredible. And limitless. It has no limit. Every time I play, I discover new facets. [...] It took me several years to be able to tame it. Whereas the cello would probably say that it had tamed me. And there is something to that. In the end, the equation is: instrument plus player equals one.« In very practical terms, Capuçon applies the equation to solo works, including those by Zoltán Kodály -  Gramophone Magazine hailed his interpretation: »Capuçon gives me virtually everything I could want from a performance – narrative sweep, vivid color and rhythmic vitality, and a wealth of soulful, expressive detail.«


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