Lukas Lauermann solo / MAIIJA
»Interploitation – I am«
Saturday
9
March
2024
19:30 – ca. 21:30
Berio-Saal
Performers
Lukas Lauermann, Violoncello, Electronics
MAIIJA
Marilies Jagsch, Klavier, Gitarre, Gesang
Peter Paul Aufreiter, Bass, Gitarre, Synthesizer
Lukas Lauermann, Violoncello
Gernot Scheithauer, Schlagzeug
Oskar Mayböck, Gesang
Gast bei MAIIJA
Programme
»Interploitation – I am«
Marilies Jagsch
I am an echo
I am a nightmare
I am not ready to let go
Seeds
I am love
I am letting go
I am a volcano
I am misguided
I am consumed
I am forever
Promises
Freeze
***
Lukas Lauermann
pulled
sterile pression 1
(y)our hands are caught doves
here (2020)
finite distinct (2020)
sterile pression 4 (2017)
ENCE
sterile pression 2 (2017)
dulgence / eglection (2020)
wir sind abgründe (ein brunnen der in den himmel schaut) (2017)
Note
Medienpartner The Gap und Der Standard
Freie Platzwahl
Links
http://www.lukaslauermann.net
Presented by
Wiener Konzerthausgesellschaft
Concentrate of the Most Beautiful Possible
His music is »a concentrate of the most beautiful possible«, the Weekly magazine Falter once wrote. Lukas Lauermann is a sought-after musician: he works with Alicia Edelweiss, Soap&Skin, Wanda and Tocotronic as well as with André Heller, both in the studio and on stage. Engagements have taken the trained cellist to the Royal Festival Hall in London and to Vienna's Burgtheater, but also to Malaysia, Canada and Kazakhstan. In his latest solo project, »Interploitation«, he is particularly interested in reworking existing music. The basis is his music for the documentary »Alpenland«, a film about human intervention in nature. Analogously, Lauermann designs processes of change in music - and intervenes electronically in the compositions, for example.
»I am« is the name of the project with which MAIIJA aka Marilies Jagsch is now going public. The tone she now strikes - a little more than a decade has passed since her last publication - is now less gentle, more considered. In her song »I am consumed«, for example, she asks herself »what it does to people when consumption and efficiency determine all areas of life« (original quote Jagsch). Stylistically, the musician sees herself primarily in the singer-songwriter scene with her latest project. Jagsch says about her music: »It is important to me that it [the concert experience] is not casual, but intense, in whatever way. It can be beautifully intense or cruelly intense - it has to trigger something in me and touch me. That's something I also want to create with my music itself, that people care.«
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