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Garanca Elina © Sarah Katharina

Elīna Garanča

Tuesday 23 January 2024
19:30 – ca. 21:30
Großer Saal



Wiener KammerOrchester

Elīna Garanča, Mezzosopran

Karel Mark Chichon, Dirigent


The best of Elīna Garanča

Hector Berlioz

Ungarischer Marsch (La damnation de Faust op. 24) (1846)

Charles Gounod

Ô ma lyre immortelle (Arie aus »Sapho«) (1851)

Jules Massenet

Méditation (Thaïs) (1894)

Camille Saint-Saëns

Mon coeur s'ouvre a ta voix ... Réponds à ma tendresse »Sieh, mein Herz erschließet sich« (Arie der Dalila aus »Samson et Dalila« op. 47) (1877)

Danse bacchanale (Samson et Dalila op. 47) (1877)

Charles Gounod

Plus grand dans son obscurité (Arie aus »La reine de Saba«) (1862)


Francisco Asenjo Barbieri

Canción de Paloma (El barberillo de Lavapiés) (1874)

Ruperto Chapí

Romanza de Socorro (El barquillero) (1900)

Ernesto Lecuona

Malagueña (Bearbeitung: Karel Mark Chichon)

Heitor Villa-Lobos

Ária (Cantilena aus Bachianas brasileiras Nr. 5 in der Bearbeitung von Karel Mark Chichon) (1938)

Johann Strauß (Sohn)

Ouverture zu »Der Zigeunerbaron« (1885)

Drei neapoletanische Lieder

Stanislao Gastaldon

Musica proibita (Bearbeitung: Karel Mark Chichon) (1881)

Francesco Paolo Tosti

Non t'amo più (Bearbeitung: Karel Mark Chichon) (1885)

Marechiare (Bearbeitung: Karel Mark Chichon)



Ruperto Chapí

Carceleras (Romanze aus »Las hijas del Zebedeo«) (1889)

Jacques Offenbach

Cancan (Orphée aux enfers)

Carlos Gardel

El dia que me quieras. Tango Canción (Bearbeitung: Karel Mark Chichon)

Georges Bizet

L'amour est un oiseau rebelle »Die Liebe ist ein wilder Vogel« (Habanera der Carmen aus »Carmen«) (1873–1874)


Weinverkostung: Weingut Gobelsburg

Subscription series Cuvée 1


Presented by Wiener Konzerthausgesellschaft

The born diva

Her role model Dame Joan Sutherland described her as a »born diva« at a young age, and today she is one of the most sought-after and popular singers of our time: Latvian mezzo-soprano Elīna Garanča can already look back on an illustrious career as an opera and concert singer and not only has a »brilliant voice« (Joan Sutherland again), but also an incredibly rich repertoire. She offers a »best of« from this repertoire in this gala concert, in which she shines with arias by Camille Saint-Saëns and Charles Gonoud, among others.

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