Performers
Martin Grubinger, Multipercussion, Moderation
Max Mutzke, Gesang
Ferhan Önder, Klavier
Ferzan Önder, Klavier
The Percussive Planet Ensemble
Slavik Stakhov, Percussion
Manuel Hofstätter, Percussion
Rainer Furthner, Percussion
Sabine Pyrker, Percussion
Jürgen Leitner, Percussion
Richard Putz, Percussion
Valentin Vötterl, Percussion
Rhani Krija, Percussion
Louis Sanou, Percussion
Alexander Georgiev, Percussion
Christian Lettner, Drums
Heiko Jung, E-Bass
Alexander Jung, E-Gitarre
Jan Eschke, Keyboards
Per Rundberg, Klavier
Aneel Soomary, Trompete
Jürgen Ellensohn, Trompete
Dominic Pessl, Trompete
Axel Mayer, Trompete
Florian Pichler, Trompete
Gerald Pöttinger, Posaune
Philipp Fellner, Posaune
David Zuder, Posaune
Daniel Mascher, Posaune
Programme
Steps Ahead
Beirut (1986)
Matthias Schmitt, Martin Grubinger sen.
Ghanaia II (1997/2022)
***
Steps Ahead
Trains (1986)
Keiko Abe
The wave. Concerto für Marimba und vier Percussionisten (2000)
David Furrer
I want it all (Bearbeitung: Max Mutzke)
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Zugabe:
Kenny Gamble, Leon Huff
Me and Mrs Jones (Bearbeitung: Max Mutzke)
Note
Die gemeinnützige CAPE 10 Stiftung hat als Ziel, das Leid von unverschuldet in Not geratenen Menschen zu lindern, vor allem, wenn sie krankheitsbedingt in Not geraten sind. Kinder sind hiervon besonders betroffen.
Festival
40. Internationales Musikfest
Links
https://www.martingrubinger.com
It's hard to imagine: the charismatic whirlwind Martin Grubinger is ending his grandiose international career. With his technical perfection and irrepressible joy of playing, he has succeeded in securing a position for percussion as one of the most fascinating instruments in concert life. And the Salzburg multi-percussionist also contributed significantly to the expansion of the percussion repertoire, with many works composed especially for him. Now he is no longer needed as a »beacon«, as he says. However, musical sustainability is still very close to his heart - this is also shown by his professorship for classical percussion and multipercussion at the Salzburg Mozarteum, which he has held since the 2018/19 academic year. At the end of May, Martin Grubinger gathers friends and companions to make the Great Hall shake once again at his birthday concert and to bid a fitting farewell to the Viennese audience. We can only say: »It was very nice! We were very pleased!«