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Michele Pasotti

Michele Pasotti

La fonte musica / Pasotti

»Verkehrte Welt«

Wednesday 25 January 2023
19:30 – ca. 21:00
Mozart-Saal

 

Performers

La fonte musica

Alena Dantcheva, Sopran

Francesca Cassinari, Sopran

Elena Carzaniga, Alt

Gianluca Ferrarini, Tenor

Alessandro Ravasio, Bass

Matteo Bellotto, Bass

Teodoro Baù, Fidel

Efix Puleo, Fidel

Federica Bianchi, Orgel, Clavicymbalum

Michele Pasotti, Laute, Leitung

Programme

Antonio Zacara da Teramo

Ciaramella, me dolce Ciaramella. Ballata

Nel cucul

Amor né tossa

Anonymus

Chançoneta tedescha

Antonio Zacara da Teramo

Ad ogne vento

Gloria ad ongni vento

Deducto sey a quel che may non fusti (instrumental)

Deducto sey a quel che may non fusti

Nostra avocata

Anonymus

Rosetta (instrumental)

Antonio Zacara da Teramo

Deus Deorum Pluto

Credo Deus Deorum

Viver ne puis (instrumental)

Donna poss'io sperare

Cacciando per gustar / Ay cenci, Ay toppi

-----------------------------------------

Zugabe:

Guillaume Dufay

Lamentatio Sanctae Matris ecclesiae Constantinopolitanae. Motette (1454–1457)

Antonio Zacara da Teramo

Cacciando per gustar / Ay cenci, Ay toppi

Note

Unterstützt von BUWOG
Medienpartner Ö1 Club und Der Standard

Subscription series »Resonanzen«-Abo

Festival Resonanzen »Unterwelten«

Links https://lafontemusica.com

Presented by Wiener Konzerthausgesellschaft

»Inverted world«

Zacara - actually Antonio Berardo Andrea - da Teramo, one of the most original and influential composers of the Middle Ages, first came to Rome in 1390 as an illuminator, where he later made it to singer in the papal chapel. The dwarf Antonio - hence his nickname »Zacara« (from the Italian zacchera = bagatelle) - never forgot his roots in the art of book illumination, from which some deduce his delight in the grotesque and obscene. Bizarre representations of inverted animal-human beings, for example, are not only found on church facades in the form of so-called »apotropaia«, monstrous gargoyles and other figures directed against disaster; contemporary book illumination is also full of them. La fonte musica presents extreme works of Zacara and illuminates them through projections of grotesque medieval miniatures.

Supported by

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