Performers
la fonte musica
Alena Dantcheva, Sopran
Francesca Cassinari, Sopran
Elena Carzaniga, Alt
Gianluca Ferrarini, Tenor
Alessandro Ravasio, Bass
Matteo Bellotto, Bass
Teodoro Baù, Fidel
Efix Puleo, Fidel
Federica Bianchi, Orgel, Clavicymbalum
Michele Pasotti, Laute, Leitung
Programme
Antonio Zacara da Teramo
Ciaramella, me dolce Ciaramella. Ballata
Nel cucul
Amor né tossa
Anonymus
Chançoneta tedescha
Antonio Zacara da Teramo
Ad ogne vento
Gloria ad ongni vento
Deducto sey a quel che may non fusti (instrumental)
Deducto sey a quel che may non fusti
Nostra avocata
Anonymus
Rosetta (instrumental)
Antonio Zacara da Teramo
Deus Deorum Pluto
Credo Deus Deorum
Viver ne puis (instrumental)
Donna poss'io sperare
Cacciando per gustar / Ay cenci, Ay toppi
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Zugabe:
Guillaume Dufay
Lamentatio Sanctae Matris ecclesiae Constantinopolitanae. Motette (1454–1457)
Antonio Zacara da Teramo
Cacciando per gustar / Ay cenci, Ay toppi
Note
Unterstützt von BUWOG
Medienpartner Ö1 Club und Der Standard
Subscription series
»Resonanzen«-Abo
Festival
Resonanzen »Unterwelten«
Links
https://lafontemusica.com
Zacara - actually Antonio Berardo Andrea - da Teramo, one of the most original and influential composers of the Middle Ages, first came to Rome in 1390 as an illuminator, where he later made it to singer in the papal chapel. The dwarf Antonio - hence his nickname »Zacara« (from the Italian zacchera = bagatelle) - never forgot his roots in the art of book illumination, from which some deduce his delight in the grotesque and obscene. Bizarre representations of inverted animal-human beings, for example, are not only found on church facades in the form of so-called »apotropaia«, monstrous gargoyles and other figures directed against disaster; contemporary book illumination is also full of them. La fonte musica presents extreme works of Zacara and illuminates them through projections of grotesque medieval miniatures.