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Quatuor Èbene © Julien Mignot

Quatuor Ébène

Sunday 5 October 2025
19:30
Mozart-Saal

Tickets for members from 1 August, for the general public from 8 August, 2025

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Performers

Quatuor Ébène

Pierre Colombet, Violine

Gabriel Le Magadure, Violine

Marie Chilemme, Viola

Yuya Okamoto, Violoncello

Programme

Wolfgang Amadeus Mozart

Streichquartett d-moll K 417b (1783)

Claude Debussy

Streichquartett g-moll op. 10 (1893)

***

Johannes Brahms

Streichquartett Nr. 2 a-moll op. 51/2 (1873)

Subscription series Belcea & Ébène

Links https://www.quatuorebene.com

Presented by Wiener Konzerthausgesellschaft

Labour pains, forceps delivery and baptism

When Mozart composed his string quartet in D minor, his wife was in labour for the first time. »As often as she expressed suffering, he ran to her to comfort and cheer her up; and when she was a little calmer, he went back to his paper«, Constanze's second husband Nikolaus von Nissen later wrote. This quartet, which stands out due to its minor key, was dedicated to »the dear friend« Joseph Haydn along with five other works in a cycle. It was Haydn who really launched the string quartet genre with his Opus 33.

Brahms, the progressive

In contrast, Johannes Brahms described his String Quartet No. 2 in A minor as a »forceps birth«, for which a surgeon served as obstetrician: Theodor Billroth, a doctor friend and chamber music enthusiast, was the dedicatee. Arnold Schönberg later used this quartet to praise Brahms' progressiveness, his technique of forming a large whole from small motifs and their variations. At the same time, he placed himself in his tradition.

Colourful timbres

In the middle of the Quatuor Ébène concert, we hear Claude Debussy's only string quartet. It was modelled on César Franck's string quartet, which had been composed shortly before. The work, which is classically divided into four movements, has a variety of different tonal influences, ranging from church music to Balkan music and Javanese gamelan music to the music of the Russian school. Paul Dukas saw the string quartet as an »artfully patterned carpet of wondrous colours«.
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