Thursday THU 13 June 2024
Friday FRI 21 June 2024
Sunday SUN 30 June 2024
Thursday THU 6 April 2023
Friday FRI 7 April 2023
Saturday SAT 8 April 2023
Sunday SUN 9 April 2023

Katharina-Suske © Giro-Annen

Die Freitagsakademie / Suske

Tuesday 25 April 2023
19:30 – ca. 21:00



Die Freitagsakademie

Stefano Vezzani, Oboe, Oboe d'amore

Sergio Azzolini, Fagott

Christian Holenstein, Horn

Daniel Lienhard, Horn

Ján Krigovský, Violone

Jonathan Rubin, Laute

Christian Rieger, Cembalo, Orgel

Katharina Suske, Oboe, Künstlerische Leitung



Georg Philipp Telemann

Ouverture TW 55/F9 »La Chasse«

Antonio Vivaldi

Sonata a quattro C-Dur RV 801

Jan Dismas Zelenka

Sonata Nr. 2 g-moll ZWV 181/2 (1715/1716 ca.)

Georg Friedrich Händel

Air mit fünf Variationen (Suite Nr. 3 d-moll HWV 428) (1720 vor)

Air F-Dur HWV 410

Air F-Dur HWV 411

Johann Friedrich Fasch

Sonate g-moll FWV N:g1 für zwei Oboen, Fagott und Basso continuo

Georg Philipp Telemann

Concerto à 5 D-Dur TWV 44/d2



Georg Philipp Telemann

2.Satz: Allegro (Concerto à 5 D-Dur TWV 44/d2)


Medienpartner Ö1 Club

Subscription series Originalklang

Links https://www.freitagsakademie.com

Presented by Wiener Konzerthausgesellschaft

Wind chimes

In 1738, J. Ph. Eisel wrote about the hautboy, the baroque oboe: »It is used in the field, at the opera, in merry companies and also in churches.« This had been developed in the second half of the 17th century at the court of the Sun King Louis XIV. Members of the Hotteterre and Philidor families, who had long been court musicians, made a special contribution to the instrument, which finally began its triumphal march in Europe in the first half of the 18th century. Musicians such as Telemann, Vivaldi, Zelenka and Fasch composed sonatas and (double) concertos for it. The Friday Academy and Katharina Suske have put together a program of works written in Germany, Italy and Bohemia. An opportunity to listen to »wind plays« that are rarely heard!

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