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Martha Argerich

Martha Argerich © Adriano Heitmann (Ausschnitt)

Lilya Zilberstein

Lilya Zilberstein © www.lilyazilberstein.com (Ausschnitt)

Martha Argerich / Lilya Zilberstein

Monday 5 March 2018
19:30
Großer Saal

 

Performers

Martha Argerich, Klavier

Lilya Zilberstein, Klavier

Programme

Robert Schumann

Studien für den Pedal-Flügel. Sechs Stücke in kanonischer Form op. 56 (Bearbeitung für zwei Klaviere: Claude Debussy) (1845/1891)

Franz Liszt

Concerto pathétique S 258 für zwei Klaviere (1857 vor)

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Sergej Rachmaninoff

Symphonische Tänze op. 45 (Fassung für zwei Klaviere) (1940)

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Zugabe:

Peter Iljitsch Tschaikowsky

Danse de la fée-dragée »Tanz der Zuckerfee« (Der Nussknacker op. 71) (Bearbeitung für zwei Klaviere: Nicolas Economou) (1891–1892)

Darius Milhaud

Scaramouche op. 165b für zwei Klaviere (3. Satz: Brazileira. Mouvement de Samba) (1937)

Subscription series Klavier im Großen Saal

Links http://www.lilyazilberstein.com

Presented by Wiener Konzerthausgesellschaft

»Like two big orchestras«

Piano legend Martha Argerich once said of her duet partner, Lilya Zilberstein, in an interview with the Italian daily »La Repubblica«: »Lilya is a perfect pianist, with a completely natural way of playing. Simply world class! Luckily, she wasn't my competitor in the Busoni Competition. That could have made things very difficult for me.« Zilberstein won the Busoni Competition in Bozen in 1987, exactly 30 years after Argerich. So it's hardly surprising if their performances leave the critics in raptures and one of them once said of them that they played »like two big orchestras«.
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